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AMV: I apologize to both of my sisters, I am just trying to win trophies

This AMV was shown at Anime Boston 2023 in “Hentai AMV Extravaganza!”. Originally I wanted to submit it to the regular contest under comedy, but it ended up being too risque. That was disappointing, but understandable.

Overall, I really like this one. The concept is pretty wild, but well complemented by the song which was rather hard to find. I remember this song and video doing the rounds a number of years ago, but trying to find it in 2022 when I was making this turned out to be a challenge. I knew from the get go I wanted to use this song, but I was not sure what anime I would use. I like to fully watch the shows that I edit with so I ended up watching a lot of fairly low quality shows (“Recently, My Sister Is Unusual” and “I’m in Love With My Sister”), until I ended up watching both Kiss×sis series (24 episodes total). This show has very little to offer and I would not recommend it. It did have all the footage I needed to work with though.

Director’s Commentary

00:36: I tried a couple different things in this video, like this scene where the character is mirrored across the vertical axis. It looks ok (minus the seam in middle), but was chiefly done so I could cut the other sister out.

00:49: This lighting bolt is from another scene. It was set against a black screen so I just removed the black and superimposed it on this clip.

00:54-00:57: Regarding this turtle I originally toyed with putting a flashing label underneath saying something like: “metaphor alert”. I figured I needed to explicitly make the joke for people to get it. I ended up not doing that and based on the audience reaction they understood what was going on, so it was the correct decision to remove it.

01:45 – 01:47: This is a tricky shot because the character here is talking as the camera pans up. There are a couple shots like this where I had to get a single frame with her lips closed and then match it as the camera angle changes. I like to avoid the lip flaps when I can and the work was worth it as without the flaps this scene flows better.

02:03 – 02:07: This is definitely the weakest part of the piece. I wanted to convey that his mind was elsewhere during this scene, but I never could quite get it looking right. Originally I wanted to drop in a thought bubble, but its only going to be a few seconds long so it took too long to develop. We have to move the main character out the way once we start flashing back so there is enough space to see the other clips. This does give a little awkward shadow of him early on. I lived with it since I think it is better to have than not have, but I bet a better editor could improve on it.

02:08 – 02:11: Definitely my best joke in the piece and so cheaply achieved.

02:30 – 02:31: I generally do not like to layer clips with different opacity layers over each other, but I really do like it here. The firework is also fairly sperm shaped which is an additional joke I wanted to include.

03:03 – 03:04: There is a bit of a zoom at the end here. I wanted this clip to last a second longer, but there was not enough footage to do that. I could stretch it, but I have had inconsistent results with that approach. I chose to freeze the last frame, but add some movement in with the zoom to keep it dynamic.

03:20 – 03:44: I wanted to save all this physical contact until right at the end. A gradual build up through the whole music video that pays off right at the end. A crescendo if you will. I think it hits well. It also does a great job of showing a lot of saliva, which was more frequent than you might expect in this show.

03:44: These hearts are cut out from another part in the show. I wanted them here to close things out. They look a little jagged on the edges, but it was a quick scene and its good enough for government work.

Postscript: I did want to actually end this on me looking embarrassed and being beat up with pillows, but that idea never came to fruition.

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Six Years at NetNumber (or Titan.ium or Lumene)

The tradition continues as the year passes once again. I feel disinclined to break things out into a numbered list so I am just going to talk about the year in general.

On the positive side of things, I have had a number of interesting projects this year. The work to convert hard subs to soft subs and resync the anime Ketsudan has been far more work than I thought, but it will be nice to at least have a partial translation of this series. I have sent all my OCR-ed subtitles to a fansubbing group and will work with them to edit their forthcoming releases. Follow @Perevodildo to keep track .

AMV wise, I have never felt more creative. I already have made a bunch this year and I have a dozen or so other ideas slowly coming to the surface. It was also fun to do a hentai AMV this year. Retrospectives for those works will be coming soon-ish once I have completed submitting them to various conventions. I also took part in an online contest this year, where I did not win anything, but had fun.

Panel wise I did three at Connecticon 2022 last year (Guns, Titanic Media, and Star Trek Porn). I am hoping to do all three again at ConnectiCon 2023 and hopefully one or two at Arisia 2024. Doing panels has been fun, but I wish I had some more ideas on panels to do.

Convention wise, we hit all the usual conventions for the first time since 2019. It was nice to get fully back. We also went to GenCon for the first time, which was fun if a little overwhelming. I am hoping we can continue to go to different conventions.

Work wise the company I am employed at was purchased twice over, which has been financially beneficial, but has done little else. Not really much to say about work. I consider myself a mercenary for hire so I am not particularly attached to any one business or job.

On the negative side of things, not really much bad of note this year. My car had another expensive fix and it does seem that much closer to the end. I am hoping it keeps limping along though as I hate car shopping.

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How To: Convert Hard Subs to Soft Subs

This is a companion piece to the video I have done here.

This is a brief tutorial on how to convert hard subs to soft subs. Hard subs are subtitles baked into a particular video release and not split out to their own subtitle file. They can be common on older releases, but are mostly unheard of today. That said, these old hard subs may be the only translation available and you may want to convert them to soft subs so they can be used in a higher quality release.

Tools of the Trade

  1. VideoSubFinder: https://sourceforge.net/projects/videosubfinder/files/
    • This will be used to extract all the subs from the hard sub source and compile a final subtitle file.
  2. gImageReader: https://github.com/manisandro/gImageReader/releases
    • This will take the extracted images and convert them to text files.
  3. Aegisub: https://github.com/Aegisub/Aegisub/releases
    • This will allow you to edit the subtitle and adjust its timings

Step by Step Process

  1. Load your hard subbed video into VideoSubFinder, File -> Open Video (FFMPEG)
  2. Adjust the bar to capture all the hard subs that will come up in the video
  3. Start the search, this will take a few minutes

4. When the search is done go to the RGBImages folder: “VideoSubFinder\RGBImages”, and remove every image that does not have a subtitle in it. You will get a number of false positives. You may have luck adjusting the settings VideoSubFinder uses to find subs (under the Settings tab at the bottom), but I fiddled with them a lot and got nowhere.

5. Go to the OCR tab and click “Create Cleared TXTImages.” This will convert every image in RGBImages to a cleared image file that is just the subtitle set to a white background. This will take a few minutes.

6. Open up gImageReader and load the TXTImages directory from VideoSubFinder\TXTImages.

7. Under “Recognize all English” do “Batch mode…” to convert all images to text files.

8. You will get a number of text files with the same name of the image file in TXTImages, copy these over to VideoSubFinder\TXTResults (or figure out how to set the output directory in gImageReader).

9. Go back to VideoSubFinder and in the OCR tab click “Create Sub From TXTResults” and save the resulting subtitle file.

10. Edit the sub in NotePadd++ or use Aegisub. If you are lucky your new source will be an exact match to the old source, but if not you will have to adjust the sync in Aegisub (via Timing -> Shift Times).

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AMV: Pick 199

You can watch this AMV here.

This AMV was submitted to Anime Boston 2022 (not a finalist), Connecticon 2022 (contest cancelled), and PopCult Anime Con 2022 (not a finalist).

I really like how this one turned out, despite its lack of critical success. Eyeshield 21 is a very memorable anime to me and I have used it briefly several times (see “April 15, 2019” and “I got fired...”), so it was finally time for the limelight. I am a huge Patriots fan (and by extension Tom Brady fan) so it made perfect sense to meld that fandom and Eyeshield 21. This AMV is basically a highlight video except instead of the live action highlights I just swapped them out for anime. If you are curious what it looks like without the anime you can see that here. I like how this AMV provides a good arc of Tom Brady’s career, and there are a ton of famous plays in here for the devoted Patriot fan. I do admit that its appeal is limited to anime fans who are also football fans, which is not exactly a huge pool to draw from, but I hope to please that narrow fandom.

Director’s commentary

00:00 Pretty famously Tom Brady was drafted with pick 199 (out of 254). It is cool that we have the draft video, despite the low quality. Because of contest rules against watermarks I hid the ESPN logo in the bottom right corner along with a bunch of other watermarks throughout.

00:06 I am not particularly happy with the image of Hiruma here, but I could not get a better one.

00:16 This is Robert Kraft (Patriots owner) speaking in The Brady 6 documentary.

00:24 The drum beat when Kraft pauses was entirely unintentionally. I dropped the music track in place and it lined up perfectly.

00:40 This is the score bug from Super Bowl 36. Interestingly FOX had a see through score bug at the time so I had to blacken it in parts to hide the live action footage. I wanted to carry the bug through this whole sequence, but the translucent nature of it made that very difficult so we just have it here once to set the stage.

01:47 This audio is from the Tom vs Time documentary.

01:56 As an aside Troy Brown is my favorite Patriot after Brady. This audio is from his catch in OT to beat the Dolphins in 2003. Watch the play here.

02:10 I had a lot of difficulty conveying Brady’s ACL tear in 2008. The news clippings seem the best solution, but it is awkward.

02:14 The audio switch from game audio to post game interview with Belichick is not great, but I really needed both so I lived with it.

03:08 – 03:28 The ending here is a little odd. It almost seems like two endings. I like both of them so I kept it as is.

03:18 I really like how well mixed the interview and Brady chants are. I went through a lot of chants to get the right one.

03:32 I had to hide the SI logo so I flipped the NFL logo on the right side to the left. It looks odd, but only if you notice it and I suspect most would not.

03:36 I am quite chuffed with how well I was able to integrate Hiruma’s picture into the bar at the bottom.

03:40 A bit of an inside joke at the end for the Eyeshield faithful.

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AMV: Cats in Bananas

You can watch it here. Submitted to Connecticon 2022 (contest cancelled), and PopCult Anime Con 2022 (not a finalist).

This was a fun one to do. Cats (the movie) enjoyed some well deserved internet infamy at the time of its release so it was fun to revisit those pre-COVID halcyon days. Trailers are especially fun to edit since they tend to be short and relatively straightforward. It is mostly an exercise in finding clips to sync to the audio. I also used all the title and end cards so my job was made even easier. Despite all that this one languished half done for a year or so. I was only motivated to finish it after I came back from Anime Boston 2022. I am glad I did because I am quite happy with how it turned out. That said, I think the Gundam trailer is better.

Director’s Commentary

00:12 – 00:20 I had just watched this video about how one editor used multiple layers to crossfade so I tried that strategy out a few times. I think the effect is good so I will keep this tool in my toolbox going forward.

00:54-00:17 This section is the strongest I feel in the AMV. I love the scream into actor introductions and each banana cat is well suited to their actor. Of the introductions, Ian McKellen is my favorite.

01:17-01:22 This was the hardest section to work with, since it has a character rapping and then getting their hand stuck in a trap. What I have here is fine, but not amazing.

01:25 – 01:46 Things get a little aimless here. I was not sure what should go here so this area feels indistinct and unmemorable.

02:15 As you can see, graphic design is my passion. It took me an hour or two to get just this and I felt that was enough time spent.

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AMV: I got fired so I watched anime, fell asleep, and woke in a new world

You can watch the video here. This was one of two submissions to Anime Boston 2022 in the other category. It was accepted as a finalist and won Best of Show. I will discuss the video here in text, but if you do not like reading you can watch a retrospective here. Credits to long time friend of the show Patrick Skehill (of Quixotic United) for his technical advice and beta testing and Chuck for holding the camera for one shot.

Ultimately, this video is the logical progression from my last live-action-AMV mix up: April 15, 2019. If you make one video with live action shots and then you cut in anime, the inverse would be to take anime and cut in live action shots.

The first thing I needed to do for this project was get a camera. I thought I would get something cheap, and while that may have worked, I figured it was good opportunity to get something decent as there may be future live action projects. This turned out to be a good call as I ended up needing some of the advanced camera features to get the green screening just right. I went with a Canon EOS M50 with a EF-M 15-45mm f/3.5-6.3 IS STM Lens. Once I got that there was a lot of work involved getting the green screen to work. I initially only had some photography lights. These were wholly insufficient. I had to get three new LED lamps. Once I got the lights, along with fiddling with the camera settings (iso:640, shutter speed: 80, and aperture 3.2) things started to look good. This took me about a month. What I found especially helpful was this video. There are a bunch of minor issues you will not notice on a close viewing, like me having the green screen light spill onto me or the LED lights reflecting in my glasses, but overall it is good enough for government work. Once I had that all sorted I could go into full production.

I pretty early on wanted to start the video with me being fired and then drowning my sorrows by watching anime. As an aside, I was not actually fired in real life as some people have asked. I had actually hoped for a much longer intro referencing the previous video, but I only had so much time I could dedicate to just live action so I had to trim it down to the bones. I was allowed a maximum of five minutes or 300 seconds. Since 75% has to be anime that leaves only 75 seconds worth of live action. Initially I thought I would get transported into just one anime (tentatively Bubblegum Crisis), but in doing some initial poking around I figured this would be very difficult. It can be easy to find a few scenes that work in any anime, but I was going to have an uphill battle to find four minutes worth of scenes that worked in one anime. Especially in a short OVA series like Bubblegum Crisis. It is also a rather niche series at the moment. I suppose it is my MO to use old anime, but I did want to have a wide selection of anime so that there was something for everyone to enjoy. Likely though that is still just going to be people who like anime from before the 2000s. This ultimately is why I went with the current framework of jumping from anime to anime.

Production wise I would split my work up over days. I knew I had plenty of time (since I started in April 2021) so I never killed myself working like I did with April 15th. Ultimately this project was much less demanding man-hour wise. One day I would spend an hour or two finding anime clips and building up my live action shot list. Then the next day I would record and bring the clips into my editor (Adobe Premiere) to arrange them and then into After Effects to key the green screen out. This took a couple months on and off, but progress was pretty steady. There were a couple action shots that were hard to get the angle right on and some shots I had difficulty keeping myself in frame, but for the most part it was pretty smooth sailing. I would say overall the shooting took a few months to complete, but again I was never working on it every waking day like I did with April 15th.

Interestingly I did most of the video before I had the music picked out. I would just put completed shots in a rough order. It was only when I brought the music in that I could hit the beats by trimming or lengthening certain scenes. For the music I wanted something retro-like. Something like it sounded from the 80s. I first thought I wanted an exactly four minute song: one minute of live action (or so) and four minutes of anime set to music. It was a late revelation that I could cut the song early. I am not particularly musically inclined, but Gloria by The Midnight fits the bill nicely.

A quick note on the title, I had wanted: “I got fired so I watched anime, fell asleep, and woke up in a new world”, but Anime Boston has a 70 character limit on titles, so I had to go with the current title which is not perfect, but comes in at 68 characters.

Overall, I am very happy on how things turned out. This project lacks the emotional connection April 15 does, and it is not the most logically consistent, but it is fun and unique. I do hope it inspires others to create live action and anime mixups. That said, I think this is the end of the live-action-AMVs for me. I am not sure what more can be done. I do have other AMV ideas though.

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Five Years At NetNumber

As tradition dictates, with another year passed I again return to the blog to summarize the time. In a break with tradition I am just going report what comes to mind and not break it down into different categories like I have done before.

I am pretty happy with last year. It is nice to be out and about again, after almost two years of isolation. ConnectiCon 2021 in September was my first convention back and I forgot somewhat how much I missed the steady flow of conventions throughout the year. I brought a new panel to that convention: Does Star Trek Porn Make Good Star Trek, and it was well received. I am hoping to run the same panel this year at ConnectiCon and hopefully other conventions. As far as other panels go, I have a few ideas percolating that I hope get accepted.

I completed a very ambitious live action AMV this year. There will be a larger blog post about it soon, in addition to a video retrospective, but suffice to say I am quite chuffed with how it turned out. I do think it however marks the end of my foray into live action AMVs, as I do not see how to go from here, but it was a fun journey none the less. Luckily, I have plenty other live-action-less ideas to pursue.

My gun collecting has slowed a little compared to last year. I suspect I am becoming more discerning about what I get. There is a still price point I will buy anything (sub $200), but at the high end I seem to be buying less. It has not helped that the market seems to have risen quite a bit in the past few years as well. Regardless, I still acquired a number of cool new pieces last year ( C96, Dreyse 1907) with more on the way this year. I am also hoping to get into some more active shooting sports (like clay or skeet). Something more active than target shooting.

On the topic of guns, I have a number of projects I am hoping to get to this year. My C96 requires repair, so I need to find someone who can do that, having failed to fix it myself. I also need to do some more research on my Vetterli, since something is not right with the cartridges I loaded for it. Finally, I am hoping to get through a couple of the firearms history books that have been sitting around here for too long. Most notably Jonathan Ferguson’s book on British bullpups and Neil Aspinshaw’s book on the Martini-Henry.

On a final note, I have been doing a lot of paid online surveys via Prolific. It is generally very small money, but it is oddly satisfying and I can make an extra hundred a month doing them. A strange development to be sure.

Ultimately, not a whole lot went on last year, but it was still a pretty good year none the less.

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AMV: Nausicaä of the Valley of the Wind

This was one of three submissions to ConnectiCon XVIII (2021) and one of two submissions to Anime Boston 2020, both in the action category. Sadly neither submission made it to the finals. You can watch it here.

You can thank the podcasters on Blank Check who, during their discussion of this film, speculated on how cool it would be to set this film to Toxic by Britney Spears. I agreed and thus you have the AMV you see before you.

I really like how this AMV came out, but it did underperform in the sense that it never became a finalist. Still I love the combination of the two and I had a great deal of fun making it.

Director’s Commentary:

0:14-0:16: I love the cut during the high note to show just how big this Ohmu is. I hope to use that trick more going forward.

1:25 – 1:37: I never really knew what to put here, so I went with the flashbacks from the movie.

1:37 – 1:50: I never really liked this part underneath the forest. It seems long and not a lot happens. The strongest parts of the AMV come after this section.

2:53: I love the tank firing lining up with the music.

3:11-3:12: I needed an extra beep of the Ohmu feet advancing so I had to loop this clip which you can notice if you are paying a lot of attention.

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AMV: Sherlock Hound

This was one of three submissions to ConnectiCon XVIII (2021) and was a finalist in the FMV contest in the comedy category. You can watch it here.

Originally I wanted to take the comedy song “Wassup Holmes” and set it to Sherlock Hound, but after watching the anime I figured it was not going to work. I love the song, but I just could not find the clips in the anime to make it work. I therefore started to look for funny songs about detectives as I still wanted to make something. Luckily I found the Sherlock Holmes musical which fits nicely into the anime in an ironic fashion.

Overall, I am happy with how it turned out. It is not my favorite AMV, but it is humorous in parts and it was fun to make.

Director’s Commentary:

00:00 – 00:06: I like this intro, it helps set the stage for the tone of the whole AMV. I recall struggling a while to find what would work here.

00:25: I love the exploding flask scene. Just one of many with a great reaction from Watson.

00:42: I froze the face on this attacking guy because the lips flaps are distracting. It is noticeable if you look closely. I still think it was worth doing.

1:17 – 1:20: I never could get the timing on this right. You want Sherlock to hit the ground on the final beat, which I do achieve, but the preceding bumps our out of sync with the beat so it is a bit disjointed.

1:39: I love the cut to this person’s concerned face, but this clip could use a little more motion. Now a days I would add a subtle zoom in on the face.

2:06: The high note here timing up with the last of the trap spikes is probably the best section in this AMV.

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Four Years at NetNumber

As tradition dictates, as a year passes I must reflect.

What Did I Learn This Year?

  1. Old cartridges are tricky to load. I continued my love affair with archaic cartridges by loading and shooting 11mm Chassepot. This is a good example of an early mass produced cartridge and while I still have some ways to go with my loading practice, I am generally satisfied with how it turned out.
  2. Reading is fun. I made substantial progress on my book backlog this year. With the need to commute greatly reduced I have been able to carve out a good amount of time each day to work on reading all the books I said I would. Included in this is all the manga I never had time to read before.
  3. Cooking. I have never been a particularly accomplished cook, but I have been broadening both my palate and skills by means of a meal delivery service. It is certainly convenient to select meals and have meals delivered, but you do pay a premium for that convenience.
  4. Computer building. I built a new computer this year, which was logistically difficult given the GPU shortage, but fun. Things did not work for my first go of it, but careful disassembly and reassembly resolved whatever gremlin was lurking. After that it was pretty much smooth sailing. I will be keeping my eye on VR headsets so I can see what the deal with those are.

What Am I Looking To Explore This Year?

  1. I bought a fancy camera I hope to film with this year. I am looking to fiddle with some live action stuff, but I do not have any set plans yet.
  2. More panels. I took the extended lockdown to create some more panels. I am looking to present them this year.
  3. Conventions. I am looking forward to get back to the convention game after a whole year of no conventions.

What did I Fail at This Year?

  1. Lawnwork. I just cannot be bothered.