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AMV: I got fired so I watched anime, fell asleep, and woke in a new world

You can watch the video here. This was one of two submissions to Anime Boston 2022 in the other category. It was accepted as a finalist and won Best of Show. I will discuss the video here in text, but if you do not like reading you can watch a retrospective here. Credits to long time friend of the show Patrick Skehill (of Quixotic United) for his technical advice and beta testing and Chuck for holding the camera for one shot.

Ultimately, this video is the logical progression from my last live-action-AMV mix up: April 15, 2019. If you make one video with live action shots and then you cut in anime, the inverse would be to take anime and cut in live action shots.

The first thing I needed to do for this project was get a camera. I thought I would get something cheap, and while that may have worked, I figured it was good opportunity to get something decent as there may be future live action projects. This turned out to be a good call as I ended up needing some of the advanced camera features to get the green screening just right. I went with a Canon EOS M50 with a EF-M 15-45mm f/3.5-6.3 IS STM Lens. Once I got that there was a lot of work involved getting the green screen to work. I initially only had some photography lights. These were wholly insufficient. I had to get three new LED lamps. Once I got the lights, along with fiddling with the camera settings (iso:640, shutter speed: 80, and aperture 3.2) things started to look good. This took me about a month. What I found especially helpful was this video. There are a bunch of minor issues you will not notice on a close viewing, like me having the green screen light spill onto me or the LED lights reflecting in my glasses, but overall it is good enough for government work. Once I had that all sorted I could go into full production.

I pretty early on wanted to start the video with me being fired and then drowning my sorrows by watching anime. As an aside, I was not actually fired in real life as some people have asked. I had actually hoped for a much longer intro referencing the previous video, but I only had so much time I could dedicate to just live action so I had to trim it down to the bones. I was allowed a maximum of five minutes or 300 seconds. Since 75% has to be anime that leaves only 75 seconds worth of live action. Initially I thought I would get transported into just one anime (tentatively Bubblegum Crisis), but in doing some initial poking around I figured this would be very difficult. It can be easy to find a few scenes that work in any anime, but I was going to have an uphill battle to find four minutes worth of scenes that worked in one anime. Especially in a short OVA series like Bubblegum Crisis. It is also a rather niche series at the moment. I suppose it is my MO to use old anime, but I did want to have a wide selection of anime so that there was something for everyone to enjoy. Likely though that is still just going to be people who like anime from before the 2000s. This ultimately is why I went with the current framework of jumping from anime to anime.

Production wise I would split my work up over days. I knew I had plenty of time (since I started in April 2021) so I never killed myself working like I did with April 15th. Ultimately this project was much less demanding man-hour wise. One day I would spend an hour or two finding anime clips and building up my live action shot list. Then the next day I would record and bring the clips into my editor (Adobe Premiere) to arrange them and then into After Effects to key the green screen out. This took a couple months on and off, but progress was pretty steady. There were a couple action shots that were hard to get the angle right on and some shots I had difficulty keeping myself in frame, but for the most part it was pretty smooth sailing. I would say overall the shooting took a few months to complete, but again I was never working on it every waking day like I did with April 15th.

Interestingly I did most of the video before I had the music picked out. I would just put completed shots in a rough order. It was only when I brought the music in that I could hit the beats by trimming or lengthening certain scenes. For the music I wanted something retro-like. Something like it sounded from the 80s. I first thought I wanted an exactly four minute song: one minute of live action (or so) and four minutes of anime set to music. It was a late revelation that I could cut the song early. I am not particularly musically inclined, but Gloria by The Midnight fits the bill nicely.

A quick note on the title, I had wanted: “I got fired so I watched anime, fell asleep, and woke up in a new world”, but Anime Boston has a 70 character limit on titles, so I had to go with the current title which is not perfect, but comes in at 68 characters.

Overall, I am very happy on how things turned out. This project lacks the emotional connection April 15 does, and it is not the most logically consistent, but it is fun and unique. I do hope it inspires others to create live action and anime mixups. That said, I think this is the end of the live-action-AMVs for me. I am not sure what more can be done. I do have other AMV ideas though.

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Five Years At NetNumber

As tradition dictates, with another year passed I again return to the blog to summarize the time. In a break with tradition I am just going report what comes to mind and not break it down into different categories like I have done before.

I am pretty happy with last year. It is nice to be out and about again, after almost two years of isolation. ConnectiCon 2021 in September was my first convention back and I forgot somewhat how much I missed the steady flow of conventions throughout the year. I brought a new panel to that convention: Does Star Trek Porn Make Good Star Trek, and it was well received. I am hoping to run the same panel this year at ConnectiCon and hopefully other conventions. As far as other panels go, I have a few ideas percolating that I hope get accepted.

I completed a very ambitious live action AMV this year. There will be a larger blog post about it soon, in addition to a video retrospective, but suffice to say I am quite chuffed with how it turned out. I do think it however marks the end of my foray into live action AMVs, as I do not see how to go from here, but it was a fun journey none the less. Luckily, I have plenty other live-action-less ideas to pursue.

My gun collecting has slowed a little compared to last year. I suspect I am becoming more discerning about what I get. There is a still price point I will buy anything (sub $200), but at the high end I seem to be buying less. It has not helped that the market seems to have risen quite a bit in the past few years as well. Regardless, I still acquired a number of cool new pieces last year ( C96, Dreyse 1907) with more on the way this year. I am also hoping to get into some more active shooting sports (like clay or skeet). Something more active than target shooting.

On the topic of guns, I have a number of projects I am hoping to get to this year. My C96 requires repair, so I need to find someone who can do that, having failed to fix it myself. I also need to do some more research on my Vetterli, since something is not right with the cartridges I loaded for it. Finally, I am hoping to get through a couple of the firearms history books that have been sitting around here for too long. Most notably Jonathan Ferguson’s book on British bullpups and Neil Aspinshaw’s book on the Martini-Henry.

On a final note, I have been doing a lot of paid online surveys via Prolific. It is generally very small money, but it is oddly satisfying and I can make an extra hundred a month doing them. A strange development to be sure.

Ultimately, not a whole lot went on last year, but it was still a pretty good year none the less.

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AMV: Nausicaä of the Valley of the Wind

This was one of three submissions to ConnectiCon XVIII (2021) and one of two submissions to Anime Boston 2020, both in the action category. Sadly neither submission made it to the finals. You can watch it here.

You can thank the podcasters on Blank Check who, during their discussion of this film, speculated on how cool it would be to set this film to Toxic by Britney Spears. I agreed and thus you have the AMV you see before you.

I really like how this AMV came out, but it did underperform in the sense that it never became a finalist. Still I love the combination of the two and I had a great deal of fun making it.

Director’s Commentary:

0:14-0:16: I love the cut during the high note to show just how big this Ohmu is. I hope to use that trick more going forward.

1:25 – 1:37: I never really knew what to put here, so I went with the flashbacks from the movie.

1:37 – 1:50: I never really liked this part underneath the forest. It seems long and not a lot happens. The strongest parts of the AMV come after this section.

2:53: I love the tank firing lining up with the music.

3:11-3:12: I needed an extra beep of the Ohmu feet advancing so I had to loop this clip which you can notice if you are paying a lot of attention.

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AMV: Sherlock Hound

This was one of three submissions to ConnectiCon XVIII (2021) and was a finalist in the FMV contest in the comedy category. You can watch it here.

Originally I wanted to take the comedy song “Wassup Holmes” and set it to Sherlock Hound, but after watching the anime I figured it was not going to work. I love the song, but I just could not find the clips in the anime to make it work. I therefore started to look for funny songs about detectives as I still wanted to make something. Luckily I found the Sherlock Holmes musical which fits nicely into the anime in an ironic fashion.

Overall, I am happy with how it turned out. It is not my favorite AMV, but it is humorous in parts and it was fun to make.

Director’s Commentary:

00:00 – 00:06: I like this intro, it helps set the stage for the tone of the whole AMV. I recall struggling a while to find what would work here.

00:25: I love the exploding flask scene. Just one of many with a great reaction from Watson.

00:42: I froze the face on this attacking guy because the lips flaps are distracting. It is noticeable if you look closely. I still think it was worth doing.

1:17 – 1:20: I never could get the timing on this right. You want Sherlock to hit the ground on the final beat, which I do achieve, but the preceding bumps our out of sync with the beat so it is a bit disjointed.

1:39: I love the cut to this person’s concerned face, but this clip could use a little more motion. Now a days I would add a subtle zoom in on the face.

2:06: The high note here timing up with the last of the trap spikes is probably the best section in this AMV.

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Four Years at NetNumber

As tradition dictates, as a year passes I must reflect.

What Did I Learn This Year?

  1. Old cartridges are tricky to load. I continued my love affair with archaic cartridges by loading and shooting 11mm Chassepot. This is a good example of an early mass produced cartridge and while I still have some ways to go with my loading practice, I am generally satisfied with how it turned out.
  2. Reading is fun. I made substantial progress on my book backlog this year. With the need to commute greatly reduced I have been able to carve out a good amount of time each day to work on reading all the books I said I would. Included in this is all the manga I never had time to read before.
  3. Cooking. I have never been a particularly accomplished cook, but I have been broadening both my palate and skills by means of a meal delivery service. It is certainly convenient to select meals and have meals delivered, but you do pay a premium for that convenience.
  4. Computer building. I built a new computer this year, which was logistically difficult given the GPU shortage, but fun. Things did not work for my first go of it, but careful disassembly and reassembly resolved whatever gremlin was lurking. After that it was pretty much smooth sailing. I will be keeping my eye on VR headsets so I can see what the deal with those are.

What Am I Looking To Explore This Year?

  1. I bought a fancy camera I hope to film with this year. I am looking to fiddle with some live action stuff, but I do not have any set plans yet.
  2. More panels. I took the extended lockdown to create some more panels. I am looking to present them this year.
  3. Conventions. I am looking forward to get back to the convention game after a whole year of no conventions.

What did I Fail at This Year?

  1. Lawnwork. I just cannot be bothered.
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Loading 11mm Chassepot

Introduction

As a continuation of my series on reloading archaic cartridges I am going to discuss loading 11mm Chassepot ammo today. The Chassepot is a French breech-loading needle fire bolt action rifle from the 1860s. Although not as much of a revolution as the earlier Dreyse rifle it evolved from, it still represents an interesting bridge between muzzeloading rifles and bolt actions. It loads via the breech and fires a unique paper cartridge using a long thin “needle” to pierce the paper and hit a percussion cap igniting the main power charge. it fires a rather typical for the time 11mm bullet.

Obviously, given the age of this rifle and the unique ammo it uses, no commercial loadings are available. We must (literally) roll our own. As always you do this at your own risk. I am not an expert.

What You Need

  1. A bullet mold. I went with Accurate 46-365C, which is a reproduction of the original bullet.
  2. Black Powder FFg
  3. A 7/16 inch diameter dowel
  4. A 1/4 inch diameter dowel
  5. Basic white glue
  6. Cardboard (about 1/4 inch thick)
  7. CCI Four-Wing Musket Caps, although I suspect any caps will do.
  8. Some thick packing paper, like this.
  9. Basic white printer paper (optional based on how you want to load)
  10. Toothpicks for spreading glue

Pre-Loading Steps

  1. Get your bullets either by buying a similar bullet or casting your own. Wikipedia says the original loading used a 386 grain bullet with an 11mm diameter.
    1. I used Lee Alox Bullet Lube to lube these as there is no lube groove.
  2. Measure the length of your Chassepot chamber using the 1/4inch dowel.
    1. Close the bolt and put the dowel in until you feel it touching the exit point of the needle on the bolt. Mark the dowel at the muzzle end
    2. Open the bolt, put in the bullet you are using as far as it will go (you may need to use the dowel to push it in deep).
    3. Put your dowel back in and mark where it stops.
    4. You should now have two marks on your dowel that represent the overall length of the cartridge you are trying to make. Using the accurate bullet I got an overall length of 3.094 inches.
    5. Using a bullet you will be loading with mark on the dowel the maximum length of the cartridge, minus the length of your bullet (my bullet measured at almost exactly 1″). This represents the length of the powder charge. I got 2.059 inches.

The Loading Process

The loading process will take some time and it does require a bit of finesse. I based my process on these two posts and this video.

  1. Make a powder tube
    1. Measure and cut out a 48mm by 80mm rectangle on your packing paper. This is based on the original cartridge diagram here.
    2. Use your 7/16 inch dowel to roll the paper into a tube. You want the tube to be 80mm tall. Ultimately we want a 12mm diameter tube. The 7/16 inch dowel + the width of my paper got me 12mm, but you may have to add duct tape to your dowel to increase the diameter of the resulting tube.
    3. Right before the two sides of the paper touch, glue the inner edge and complete the roll.
  2. Create an end cap for the tube. The original design uses a paper star, but I deviated here as its very had to get the star in place correctly.
    1. Punch out some cardboard discs for the end cap. Ideally this will match the diameter of the tube (12mm), but I only had a 7/16 punch so I used that.
    2. Apply glue to the the wings of the percussion cap. You can either gently dip the cap into your glue or use a toothpick
    3. Glue the cap, wings down, onto the cardboard.
  3. Apply a thin layer of glue to the inner bottom of the powder tube.
  4. Put the tube over the end cap, gluing the end cap (with its percussion cap) to the bottom of the tube.
  5. Using your measuring dowel, mark on the tube the maximum length it can be. This will be the total overall cartridge length minus the length of the bullet you are using.
  6. Fill the tube with black powder up to your mark.
    1. The original loading was 86.4 grains. I have seen as low as 66 grains. I ended up with 75 grains FFg.
    2. Compact the powder as best you can. If you have a drop tube you can use that. I crushed the powder with a dowel. You may wish to drill a 1/2 inch diameter hole in a block of wood to hold your tube straight while you crush the powder. You do not want the tube to break.
    3. If you powder is compact, but you still have space remaining add a filler like cream of wheat or poly fill to take up the extra space.
  7. Add another cardboard disc to top off the powder tube.
  8. The original design calls for the remaining powder tube to be twisted close and the excess trimmed. I had difficulty twisting the paper I used so I cut most of the remainder off leaving just enough to glue closed the top.
  9. Cut out a bullet wrap using the plain printer paper.
    1. I took the measurements from the original diagram
  10. Put the bullet at one end up wrap (the shorter side facing up) and wrap the bullet in paper. You should get a cone of sorts. Glue the ends together
  11. Combine the bullet with paper cone and the powder tube.
    1. The original diagram has these two parts tied together with the tie happening just under the cardboard disc you topped the tube off with. I had difficulty with this part as my string was either too big or too weak. I continue to investigate other options, but for now I just glued the edges of the cone to the tube

Alternatively, you can skip steps 8 through 11 and just cram a bullet in on top, folding the the top of the tube down to hold the bullet in place. This is the most expedient method, but you must be sure the bullet does not separate from the powder charge. Space between black powder and the bullet can be dangerous.

You now should have a cartridge that is the exact overall size you measured on your dowel. I recommend building a couple test cartridges without black powder (I used corn grits instead). If you get the length wrong the needle will not hit the cap. If you get the tube size wrong then the cartridge will not insert all the way.

Final Product

If you attempt to match the original design with the paper cone (steps 8-11) you should get something like this:

If you go with the expedient solution, you get something like this:

Shooting Results

I had mixed results. If I could get the round inserted and the bolt closed I got 100% ignition. Accuracy seems fair for a 150 year old rifle with a group of several inches at 50 yards. Occasionally not all the paper would clear the chamber and I would be left with some burnt crumbs, but usually nothing major.

That said, about 50% of my rounds fail to chamber. I usually end up with the bolt stuck with about a quarter of an inch to go. I suspect my cartridges are right on the edge of the correct size and as the chamber fouls I run out of space.

As a final note, if you are going to shoot your Chassepot I recommend replacing the bolt’s obturator and needle. If your rifle still has its obturator it has most likely hardened over the years and will be ineffective. Your needle may still work, but I would not risk having it break as I have heard they are prone to do. You can find replacement obturators and needles via Naah Tool Works.

Next Steps

I need to figure out why so many of my cartridges end up just a bit too long or too wide. To that end I need to figure out how to get more consistent paper tubes. I also want to experiment with some slightly smaller dowels and thinner paper to see if that helps.

You can follow the discussion at NorthEastShooters.

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Three Years at NetNumber

As tradition dictates, as a year passes I must reflect.

What Did I Learn This Year?

  1. Reloading archaic cartridges. In the previous year I had reloaded some fairly modern cartridge to prove out the process (30-40 Krag, 45-70 Government, 7.35 Carcano). This year I loaded .577/450 Martini–Henry and 7.5mm 1882 Ordnance. The 7.5 is pretty straightforward, but the Martini-Henry was a step above that and I am very happy I was able to make a number of rounds that worked flawlessly.
  2. WordPress. I am happy to move on from the old “GhandiBlog” to the sleek and modern wordpress platform. It is a little more pricey, but I have so much more control and way better tools.

What Am I Looking To Explore This Year?

  1. I am looking to continue to grow my panel catalog. For the last two years I have run a panel at ConnectiCon (and this year for the first time at Arisia) on firearm history and federal law. I am looking to create and run more panels this year. Although, given the lack of conventions this year, that may prove to be difficult.
  2. A new computer/VR. My old rig has been limping along for a few years now and I think it is time to take the plunge and upgrade it. I also would like to take the opportunity to get into VR, if only to play Half Life: Alyx.
  3. Books. I have a healthy audiobook/podcast habit, but I am looking to start working down some of the physical books collecting dust on my bookshelves.
  4. Oddball AMV ideas. I certainly cannot win any awards doing something conventional so I have to go for the weird angle.

What did I Fail at This Year?

  1. The downstairs bathroom is still unfinished. I did tear out the carpet though.

Conclusion

Not a whole late has changed from last year. I am not sure if that is concerning or not. Part of me thinks that is fine as I am certainly enjoying the day to day, but the other part of me thinks that is concerning as I should be trying new things.

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AMV: Mobile Suit Jox

This was one of my submissions to Anime Boston 2020. It was not a finalist. Watch it here.

Robot Jox is a 1990s movie about robot “Jox” who pilot giant mechs to resolve territorial disputes. It makes a natural pairing with Mobile Suit Gundam as the conflict between Amuro and Char nicely parallels the conflict of the main characters in Robot Jox. This was an interesting project for me as it was the first time I did a trailer AMV. 90% of this project was straightforward as I just had to match up the trailer footage with scenes from Gundam. That said, there were some tough bits. In particular I had difficulty matching up the lip flaps for a few scenes where characters talk in the trailer.

Overall, I am pretty happy with how it turned out.

Director’s Commentary:

00:00 : I really like how the trailer intro turned out as I got to fill it with a bunch of Gundam specific jokes. I went with a red R style instead of the classic green just to be different. The actual movie is rated PG.

00:19 – 00:21 : A rather famous scene from Mobile Suit Gundam which is a bit of an injoke for fans.

00:29 – 00:30 : I spent a lot of time trying to get this to sync with the trailer audio. I think it is the weakest part of the AMV, but it does work.

00:48 : This particular scene shows up many times in Gundam so I was lucky to find a good spot in the trailer where the audio syncs up so I could use it.

1:04 – 1:05 : In the trailer, the noise is from a giant chainsaw. It was hard to find something that works given Gundam’s futuristic setting. I think this is fine, but I would have liked something better.

1:05 : Shout out to Mr. Skehill, long time fan of the show, for correctly identifying the episode this laugh occurs in so I could use it here.

1:13 – 1:15 : This scene actually ends about half a second too earlier for me. I could have stretched it out, but it would have messed up the audio sync. Luckily I was able to copy that half second from the beginning of the clip and it all worked out.

1:16 – 1:17 : I never liked this scene transition, it always seemed too abrupt.

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Engineering Projects

Loading 7.5mm 1882 Ordnance: My Process

Author’s note: I posted this on a
local reloading forum
. I am reproducing it here in the hopes that someone trying to do what I did can learn from my experience.

I recently bought a Model 1887 Swedish Nagant and I of course wanted to shoot it. This revolver shoots 7.5mm 1882 Ordnance. It
was used by the Swiss and Swedish, so you will see the country names used interchangeably when searching for information online. You can buy smokeless powder rounds from a few specialty places, but I wanted to shoot a round as close to the original as I could,
which means its time for the holy black. I also get weirded out shooting smokeless powder in guns designed for black powder. To that end, here is how I went about loading 7.5. As always, you take your life into your own hands following my instructions. I could not find any load data in my books so my process is an amalgamation of everything I found online.

First I bought a bunch of 32-20 brass. This is going to be our parent case. I have a Lyman universal trimmer with an adapter for a power drill which I used to trim the cases down. Go slow and trim each case to a length of 0.89 inches. You especially need to be careful as you trim past the shoulder on the case. If I went too fast the cutter would push the last end of the shoulder into the case and mess up the case. After all the cutting was done I used a case prep tool to clean up the mouths.

Once you have the cases prepped, you are going to need some bullets. I went with 310 Cadet bullets from  Matt’s Bullets. These are heeled bullets like the original cartridge uses. Ideally I would have bought the mold, but the molds were going for $70 or so and you can get 500 bullets for a little less than that (lubed too). Diameter wise it is between the original Swiss (.315) and Swedish (.327) bullet diameter.

Now you are ready to reload. For my load I used CCI small pistol primers and 11 gains of 2F black powder (GOEX) topped off with a .32″ diameter, .025″ thick card from Track of the Wolf. Ideally I would have liked to put a lube disc on top of the charge and before the card, but there was not enough space left in the case. I did not use a drop tube, but you could probably ring some more space out that way if
you had one.

Now, you could spring for the correct 7.5 dies, but they were pretty
expensive and hard to find, so I jury rigged a solution using some cheaper dies. I seated the bullet using a 32 short (32 S&W) seating die. Do not press too hard or you can crush the case given this is a heeled bullet. Once the bullet is seated I put a riser on the press like the ones you find in a bullet resizing kit. Then I screwed a 30-30 WIN crimp die all the way down. If you put a bullet on the riser you can get it high enough into the crimp die to crimp the bullet in place. You need a crimp or otherwise I found you could easily pull the bullet out with your hands. Running the crimp die all the way down probably gives you more crimp then you need, so your may want to experiment with a little less crimp than I used.

Shooting wise, it seemed a little anemic, but it went bang. I am not a great shot with revolvers, but it was hitting the target at 10 yards so I was happy.

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Anime Projects

Stories for a Dark Night AMV

For your pleasure here.

My sixth AMV, submitted to Anime Boston 2019, ConnetiCon 2019, and PopCult
Anime Con 2019, but never accepted to the finals. A far more experimental piece
than the other ones I have done. I really liked the idea of poems set to anime
and music and it is cool to have a bit of a compilation of them in one video.
It is kind of like a very quick anthology film. It was an interesting project
to work on as I only had the poems to start with and thus a lot of time was
spent finding the correct anime and music to go along with them. Originally, I
thought to frame the narrative as if it was one long night, but I ended up
carrying on into the morning as I did not have enough “night campfire” footage
to work with. Overall, I am very happy with the final work, but, as it the
norm, I wish more people liked it.

Director’s Notes: 00:00: I like starting AMVs out with no music. I think
this technique is underutilized. As an overall note, all the sound effects are
from outside anime. Mostly stuff I found on Youtube.

00:19: If you have an eagle eye you can see Rin’s smile stay in place, but
her head turn. She is talking in this scene which wrecked the vibe. I froze the
smile, but I did not bother with trying to move it with the face given how hard
that would be, compared to how minor the error is.

00:23: I tried putting the poem’s title here first, before the actual poem,
but I found I liked them better at the end.

00:26: I watched The Rose of Versailles in preparation for this
AMV when I found I needed something set in an aristocratic period. Pretty good
anime and very forward thinking in some ways.

1:03: Not a huge fan of this clip, but in every AMV you always have a few
seconds where you struggle to find something that works. This clip was ok so I
went with it.

1:31: I never found music for this poem that I was thrilled about. I tried
several songs. What I ended up with was ok, but nothing special.

02:14: The hard cut at the end of this poem arose out of the need to stop
the music and get back to camp site. I tried a couple ways to fade it out, but
they all sounded very abrupt so I went with a thematic hard cut showing Lain
here. It is a neat nod to the show and probably very confusing to those who
have not seen it.

02:33: My favorite of the four poems and the easiest one to do. I love the
poem and I love the anime (Legend of the Galactic Heroes) so it only took me a
few hours to cut this together and it was basically done after that.

03:28-03:32: I love how the white fade out transitions to the sky back at
the campsite.

03:47: There is something very pleasing about that woodpecker in the
distance right around here.

04:38: I like how 8man looks at the audience at the end and how Rin a few
seconds later waves at us.