After much effort I have completed a second AMV which can be seen here. I am very happy with
how it turned out as it was accepted as a finalist at Anime Boston
2017 in the other category. This is the most success any of my video projects have had. Just like those
two other projects I want to give a brief overview of why I used the anime and
music I did along with a couple comments on particular scenes.
Music and Anime I found the music first. During
the time between Christmas and New Years I worked from home for a week and I
was listening to a bunch of music. I started listening to The DoubleClicks as I had head them at
Pax East 2016. When I heard the song I ended up using: Can’t You See
the World is Ending, I knew right away this was going to work with an
actiony anime. At first I thought I might make another Legend of the Galactic
Heroes (LOGH) AMV like I did with my first one. Reinhard would be the focus and
there would be a lot more action. I scrapped that idea because this song has
more of a high school/young adult vibe and as much as I want LOGH to become
more popular, I am not sure I alone can carry that torch. Then I thought of
using Nadesico since
that has more of a lighter vibe benefiting this song and I want more people to
watch this show too. I was not sold on the idea though and I did a brief search
to see if another anime fit the bill better. Then I remembered Saikano and it just fit right away.
It was just a nice bonus that the show is not in vogue anymore.
Editing Before I started editing I had a lot of
difficulty getting quality source material. Saikano has never had a blu-ray
release and the actual animation quality is just ok. That did not stop me from
spending a lot of time with conversion tools (mostly handbrake) trying to get the best I could. The end
result is functional, but certainly not as good as I would like. A big take
away for me in the future is to secure better source material before becoming
married to an idea.
For the editing process I used Sony Vegas. Here is what the finished project
When I start I lay the music track down first, then I put notes (those
orange flags) around lyrics I want to get specific clips for. For example when
the song reaches “try to stop the bombs” I want to put a clip of bombs falling.
It is pretty basic, but it helps me keep things organized. Then I have a couple
video tracks. 1. The main “AMV” track which will be the final video 2. A track
above that for “Clips” so I can easily swap clips in and out that I want to
try. You can think of this as alternative cuts. 3. A number of “Effect” tracks
which holds things like text I want to overlay. I had a lot of more of these
effects than any video I have done before. I am sure there is a more clever of
way instead of using multiple tracks, but this is easy to do and what I was
doing was not super complicated so I ran with it.
Once that is all setup I just trolled through the episodes to find clips I
wanted to use. I would bring the whole episode into Vegas and I would scan it
quickly (say 2x-3x speed). I had a good sense of what I wanted to see, so when
I saw a clip I liked I would cut it from the episode and place it roughly where
I wanted. I did this with all 13 episodes (ignoring the OVAs). After I went
through all the episodes I had a lot of clips in rough position. I refined
things from there, going back to get more clips when I needed. After that I
added a few effects with some text and I was finished.
To render I create a new template with the technical specifications Anime
Boston wants and I make an RC or release candidate. From there I send the video
out to a select review group for comments (Mr. Skehill of the inimitable
Quixotic United and my sister). I get
comments from them and make various RCs until I am happy. That final RC becomes
a release and I submit that video. This is a rough imitation of the software release
Scene Breakdown I have a couple comments on
various parts of the AMV . You can think of this as a textual director’s
00:00-00:08: This is the part of the AMV I am least happy about. I was never
sure what to put here and this just ends up feeling like wasted space.
Originally I had put a bunch of establishing shots of buildings and
countryside, but that was pretty boring. At least opening with a bunch of
crying shots gets your attention.
00:17-00:00:20: These are flashbacks in the anime so they have a hazy
border. It has the effect of making the animation quality look even worse, but
I really wanted to use these scenes so I figured it was worth it.
00:26: It took me forever to find a clip that worked here.
00:32-00:34: I like the dichotomy of these two clips a lot and that vibe is
what I try to hit throughout the AMV. The main drive of the song is everyone is
acting normal in an abnormal situation so I wanted to highlight that wherever I
could. The one drawback here is it spoils a bit of the surprise later on when
we see her with the Gatling gun (0:53).
0:53-0:55: I think this scene works particularly well. It lines up with the
song, it is pretty snappy with all the cuts, and the contrast between the
destruction in the background and her being the hero is just right.
0:55-0:56: There is actually not a lot of action scenes in this series, with
most of them coming from episode 1. Lucky there are enough clips for this AMV,
but most of the actiony shots come from this episode and episode 13.
1:00: I went back and forth on actually showing people eating food when the
song mentions it. I did not have anything better to use, but I wish I did.
Mostly it just seems lazy to show food when the song mentions it.
1:06. This is the first effect I used. It is just text, but I had to cover
up what is actually shown on the pager with a block of color. It is basic, but
it gets the message across. Looking at it now, I think the text should be more
1:15-1:16: Best part of the AMV in my opinion. Happy trumpets with a sad
1:29-1:30: This is a subtle effect. Chise (the standing character) actually
talks in this scene, but it was distracting to see. I effectively froze part of
this clip so we could see the animation around the exclamation points, but not
1:42-1:43: Those familiar with the series will see Chise shopping here which
is not congruent with the song. In the song Chise is effectively the singer so
she would not be shopping, but her friends would be. That said it goes by quick
so I do not think it would upset many people. There was also no other shopping
clip to use.
1:56: I do not know what the Japanese says here.
2:01-2:02: The most complicated part of the AMV. Basically I repeated the
effect from 1:06, but I had to animate both the text and the color block to
move with the pager. It took a long time, but I think it syncs up quite well. I
also like the humor of mentioning the AMV title here. Interestingly, I came up
with this hashtag first and then I liked it so much I used it as the title.
2:25- 2:26: Ok, this might be more complicated than before. Effectively, I
had to cut out part of the clip with the TV, and then overlay the hamster dance
video where the cut out is. The tricky part is a character is moving right next
to the TV so with each movement I had to change the part I cut out (the mask)
so it would look consistent. On close inspection it does not look amazing, but
perfect is the enemy of good so I moved on.
2:33: This is the second part of the scene from 1:15.
2:49-2:50: I actually uploaded the clip I wanted to show here to youtube and then screen recorded it to get
the youtube controls. I then inserted that clip on top of a TV from the anime.
The effect is nice and it is a bit of an inside joke if you can see the title
and are familiar with the anime. On reflection I think I should have filled the
screen with the youtube clip and not bothered putting it on a TV.
3:00-3:04: Originally I had a clip where Shuji (the guy at 0:09) was crushed
by a giant wave, but I got feedback that a scene like this would work better
and I agreed.
Conclusion Overall, I like how things turned
out, but there are a few scenes I would tweak. Big picture, I think this AMV
was hobbled by the source quality. I should be a bit more sure about what I
have available to work with before I get too involved. Interestingly, the next
project I am working on I have just about absolute control over. Look for that
around July when Connecticon happens.